SEE HOW THEY RUN

AUDITION INFORMATION

Plot Synopsis: See How They Run by Philip King is a classic British farce filled with rapid-fire dialogue, mistaken identities, and nonstop comedic chaos. Set in a quiet English vicarage during World War II, the play spirals into hilarity when a visiting actor, a nosy spinster, a disguised soldier, and an escaped prisoner all converge under one roof—leading to a madcap series of misunderstandings and slapstick situations. With its fast pace, clever plot twists, and outrageous characters, this play is a timeless crowd-pleaser that showcases the best of physical and situational comedy.

Content Warning: Mild adult humor and innuendo typical of British farce.

Note From Director: This is a very physical show. Most characters run, fall, get carried, get punched, roll around on the ground, etc. Dialects will be used. Ages are flexible and will depend on audition turnout and performance.

WHEN:

Sunday, January 18 2:00-4:00pm

Monday, January 19 6:00-8:00pm

Callbacks (if needed): Wednesday, January 21 6:00pm

SIGN UP FOR AN AUDITION TIME SLOT - CLICK HERE

AUDITION FORM - CLICK HERE - please fill this out and bring to your audition. There will be some available at auditions, but please arrive early to give yourself time to fill it out before your time slot.

Rehearsals begin Monday, January 26th and will generally be held M-Th 6p-8p & Sun 2p-4p. Schedule will depend on final casting.

SHOW DATES: April 10-12 / 17-19, 2026

AUDITION MATERIALS - CLICK HERE - these scenes will be used during auditions

Questions or conflicts? Email seehowtheyrunta@gmail.com

Character Breakdown

Ida: Late teens - early 20s. A dutiful house maid & spunky village girl. Speaks her mind. Must be strong enough to catch/drag/move Miss Skillon. Cockney dialect

Miss Skillon: Mid 30s – mid 40s. Sour, self-righteous spinster & busy-body. Gets very drunk. Must be adept at physical comedy (falling, staggering, getting “slapped" etc.). British dialect

Reverend Lionel Toop: Mid – late 30s. Pleasantly dignified vicar of the parish. Loses his composure & his pants. Must be physically agile - will need to run, jump, etc. British dialect

Penelope Toop: Mid 20s – mid 30. Wife of Lionel and former actress. Vivacious, charming, & free-spirited. Must sing loud and off key. Moves, speaks, and reacts quickly. American dialect

Corporal Clive Winton: Mid 20s -30s. Actor friend of Penelope’s, now in the army. Dashing and witty. Must be agile. American dialect

Bishop of Lax: 50s-60s. Imposing & dignified, until he loses it. Must be somewhat agile, though not as much as the others. (Acts 2 & 3) British dialect

The Man: 20s-40s. Escaped prisoner - desperate and menacing. Must run and drag/carry Lionel (Acts 2 & 3) Russian dialect

Reverend Arthur Humphrey: 40s-50s. Mild-mannered, sweet & befuddled. Somewhat agile. (Act 3 only) British dialect

Sergeant Towers: 40s-50s. A police constable. A loud, blustery take-charge kind of guy. Oafish and self-important. (Act 3 only) Cockney dialect